Download Andrew W.K.'s I get wet by Phillip Crandall PDF

By Phillip Crandall

It is time to get together, the 1st music off of i am getting rainy, opens with a rapid-fire guitar line - not anything fancy, only a couple crunchy strength chords to acclimate the ears - repeated two times sooner than a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling influence intensifies with each one bass kick and, through the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to receive. Read more...

summary: it is time to social gathering, the 1st music off of i am getting rainy, opens with a rapid-fire guitar line - not anything fancy, only a couple crunchy strength chords to acclimate the ears - repeated two times prior to a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling influence intensifies with every one bass kick and, by way of the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to obtain. whilst all of it drops, and the joyous onslaught of 100 guitars is eventually learned, you will have to forgive your ears for being duped right into a fake experience of defense, simply because it really is tha

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Andrew W.K.'s I get wet

It is time to get together, the 1st song off of i am getting rainy, opens with a rapid-fire guitar line - not anything fancy, only a couple crunchy strength chords to acclimate the ears - repeated two times sooner than a booming bass drum joins in to supply a quarter-note countdown. A faint, swirling impression intensifies with each one bass kick and, via the 8th one, the ears have prepped themselves for the steel mayhem they're approximately to obtain.

Extra info for Andrew W.K.'s I get wet

Example text

25 • I GET WET Kathode was all about “playing as fast as possible and growling as most inhumanly possible,” Rice says. When time came to record a demo, they all of a sudden had to come up with words, so he and Andrew split the task, with Rice’s leaning left-wing radical and Andrew’s lyrics being “your standard non-conformist theme,” according to Rice. Rice remembers Andrew and a friend executing what he calls an “art annoyance project”; Andrew says he was simply trying to make something intense happen that normally didn’t.

Andrew has appeared on Hanson tracks by The Beast People (with Dilloway, Harper, Nate Young, and, at times, Kenney), Isis & Werewolves (with Dilloway and Kenney), The Hercules (with Dilloway and Anthony • 34 • PHILLIP CR A NDALL Miller aka Dirty Tony), Galen via Hercules (a band with Dilloway, Dirty Tony, and Kenney that either descended from or gave birth to The Hercules), as well as the 1998 Hanson vinyl compilation Labyrinths & Jokes that features songs by, among others, Isis & Werewolves, The Beast People, and Andrew Wilkes-Krier.

Why does everything have to be stripped down,” Andrew says. “Unless it’s achieving something that’s better than the alternative, [it] seems empty and naked. I think the Rolling Stones were trying to make everything they were doing sound the best they possibly could, not intentionally make it sound bad—not that their songs sound bad. If a musician from the ’20s had what we had to work with, he would use it. ” To not use a keyboard as an available tool to “get to a feeling” made no sense. ; only time will tell if his “Rocket Man” places him among the usually trotted-out Dylan, Hendrix, and Springsteen names there.

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