By Larry Sandberg
Acoustic Blues Guitar Styles is an creation to fingerstyle acoustic blues guitar, the fashion made preferred via Robert Johnson, invoice Broonzy, and Mance Lipscomb. Following the luck of the preferred Acoustic Guitar Styles, Larry Sandberg’s Acoustic Blues Guitar kinds is an academic booklet geared in the direction of the intermediate guitar participant, not just to educate fingerstyle blues strategy, but additionally to strategy the track creatively and with feeling and rhythm.
Part One teaches you the preliminaries, similar to examining a chord chart and dealing out a 12-bar blues in several keys. half teaches you contact, timing, and simple fingerpicking procedure. half 3 teaches you ways to play stylistically, with classes on how one can include bends, vibrato, alternating bassnotes, and rhythmic adaptations into your enjoying. All musical routines are provided in either ordinary notation and tablature, and are supported via audio tracks within the accompanying compact disc.
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Extra info for Acoustic Blues Guitar Styles
F ur ther wor k . The written examples represent the entire final four measures of a 12-bar blues, but remember that the turnaround itself only takes up the last two, four, or eight beats. First master the four turnarounds as written, just practicing the four measures. Then incorporate them into a series of consecutive 12-bar blues choruses. As you get used to them, try varying the rhythms as much as you can. Also try inventing some different rhythms for the fourth turnaround. ) Finally, try using the rhythm of the fourth turnaround together with the chord changes of the first three turnarounds.
Please review Tracks 11 and 12. Now experiment with the following chord shapes and notice how they relate to, and can be explained by, the concepts developed in those tracks. indb 54 10/16/06 4:13:27 PM Playing the Blues 55 Track 35 Chord Chart Try playing around with these chord shapes, using different rhythms and touches. Try a steady bass, and then see whether you can find alternating bass patterns that sound good to you. Try doing this one chord at a time. ). Finally, use these shapes in the 12-bar blues progression.
Notice how the A7 chord shares some of the notes, and much of the sound quality and bluesy soulfulness, of the E minor chord. Track 29. Major to Minor Blues F ur ther wor k . As always, continue to rework this piece using the different rhythms you’ve learned from Tracks 13–28, and incorporating the turnarounds from Track 9. Remember to go on doing this with subsequent tracks as well. indb 48 10/16/06 4:13:14 PM Playing the Blues 49 Track 30: Blues in E with Blue Notes and Bending So far we’ve learned that seventh chords and minor chords can make the music sound bluesy.