Download 50 años de rock en Argentina by Marcelo Fernandez Bitar PDF

By Marcelo Fernandez Bitar

El rock en los angeles Argentina celebra su cumpleaños número 50 y esta es su historia. Autor de un libro mítico e inconseguible de 1987 (reeditado en 1993 y 1997), Marcelo Fernández Bitar agrega información y testimonios recopilados a lo largo de toda su carrera como periodista especializado, para ofrecer los angeles obra definitiva sobre los angeles música más well known de los angeles Argentina, esa que, como cube Adrián Dárgelos en su prólogo, es capaz de pelearle "el lugar en el airplay al estilo que se esté imponiendo".
Aquí están todos los nombres y todos los hechos, año a año. ¡Y todos los discos! Porque, además de ser un relato cronológico impecable e implacable sobre l. a. construcción de esa enormidad multiforma llamada "rock nacional", incluye los angeles discografía completa de estas cinco décadas. Un ejemplar único y enorme, para recordar, para descubrir y para que el rock jamás baje el volumen. Un clásico remasterizado.

"El rock aquí es todo ese sentido que, como felicidad o angustia, transgrede permanentemente un delgado hilo de los angeles realidad argentina, aun a costa de que al crecer luego uno se sienta como un turista marciano."
Luis Alberto Spinetta (de l. a. Introducción a los angeles primera edición, 1986)

"Este libro intenta registrar los angeles historia de las ediciones y apariciones en escena de los músicos y sus discos, lo que compone al rock nacional. Esta titánica tarea es una edición que conmemora 50 años de rock nacional."
Adrián Dárgelos

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I am saying this partly because I don’t know diddly-squat about music, but I loved living in Britain to the music of The Stranglers, which became a sort of soundtrack to my life in London. Paul Theroux September 2001 INTRODUCTION In 1990, Hugh Cornwell left The Stranglers – one of the most extraordinary bands in the history of rock music – after 16 eventful years. Throughout this period, The Stranglers were outsiders, ostracised from the outset by their punk brethren, despised by the politically correct and frequently dismissed by a fickle music press.

Why wasn’t this a single? I think it was slotted in as the third single, but the new album, No More Heroes, came out six months after Rattus, so there was no time. It wouldn’t have made marketing sense to release a single from one album, when a new album was coming out immediately afterwards. Hazel O’Connor recorded a version and released it as a single within a couple of years. 6 It’s a shame that we never released it as a single. ‘PEACHES’ This was meant to be a reggae song, wasn’t it? Loosely.

It’s quite unusual, expressing sexual desire in that manner in a song. ” In ‘Peaches’ you didn’t stick to the formula of singing regular verses and choruses. In fact, many of your songs were free-flowing and less disciplined than traditional rock ‘n’ roll numbers. In this case it was because ‘Peaches’ just moves around the bass line. It’s so open you can just play around with it. In fact, all four of the songs on the second side are almost rap songs. There’s hardly any singing. We touched upon your being forced to change certain lyrics on ‘Peaches’.

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